Pye Corner Audio’s submerged rhythms and ectoplasmic electronics haunt the disused dance halls and concrete derelicts of Belbury.
It’s possible to detect echoes of John Carpenter, Italo-horror soundtracks and a kind of post rave meltdown in Martin Jenkins’ submerged disco and spectral electronics. Consummate producer and live performer, this artist has expanded Ghost Box’s imaginary parallel past into an alternative future of concrete and ghosts.
